Meet Our Resident Artists

Tenor Brad Bickhardt, from Columbia, New Jersey is a recent graduate of Indiana University with a Master’s in Vocal Performance, where he also completed his undergraduate degree under the tutelage of Professor Emeritus Andreas Poulimenos.  He worked for the previous two years as an Associate Instructor of Voice at IU and maintains a private voice studio.  He has previously been on the rosters of The Glimmerglass Festival, Wolf Trap Opera, Opera Saratoga, and Charlottesville Opera.  Favorite role portrayals have included Alfredo (La traviata), Harlekin (Der Kaiser von Atlantis), Nemorino (L’elisir d’amore), and Tony (West Side Story) which garnered praise for his “soaring voice” (The Herald Times).  Mr. Bickhardt has been named an Encouragement Award winner of the Central Region for the Metropolitan Opera National Council, and this previous November, was named a Winner of the Wisconsin District.  He is a student of Heidi and Kevin Murphy.

Hailed as a “scene stealer” who “exudes showbiz chops,” American tenor Elijah William Brown is praised for his “robust,” “dramatic” voice, “ringing high notes” and “excellent dramatic range.” He was most recently seen as Johnathan Dale in Florida Grand Operas Silent Night, a role he will reprise with Opera Orlando in February 2026. Recent performances include Alfredo (La Traviata), Siegmund (Die Walküre), and the Prince (Rusalka). A passionate advocate for American contemporary opera, he has appeared in multiple world premieres, including works by Michael Ching and Joseph Landers. Past seasons include Loge (Das Rheingold), Ferrando (Cosi fan tutte), Tamino (Die Zauberflöte), and an Artist-in-Residence position with the Florida VOICE Project under Sherrill Milnes. A native of Omaha, Nebraska, Elijah holds degrees from the University of Nebraska at Omaha and the University of Alabama.

With her “ringing and expressive” voice, soprano Hannah Cho is a force in new works and art songs, lauded for her emotional depth, technical precision, and sheer beauty of sound.    In the 2024/2025 season, Ms. Cho makes her Opera Naples debut as soprano soloist in in Beethoven’s Ninth Symphony,  followed by appearances as the First Lady in Die Zauberflöte and Yum Yum in The Mikado. Hannah Cho made a successful debut with great reviews at Perelman Arts Center NYC in the New York premiere of Huang Ruo’s An American Soldier as Josephine Young. “Hannah Cho’s lucid soprano soared as Josephine” (New York Times). “Soprano Hannah Cho relished Josephine’s high-flying vocal lines and exuded warmth” (Wall street Journal). She also makes her debut with Daejeon Opera in I Pagliacci (as Nedda). Recently, she appeared in collaboration with pianists Youngmo Na and Jonathan Mamora at WQXR in their “Young Artists Showcase” hosted by Simone Dinnerstein in works by Debussy, Fauré, Berg, Grieg, and Schubert. With On Site Opera, she sang the title role in the world premiere of  Song of the Nightingale. In the summer of 2024, she joined the Merola Opera Program in San Francisco, where she was featured as Marzellina in Fidelio , and Musetta in La bohème. in the Schwabacher Summer Concert and Merola Grand Finale.   Ms. Cho has sung leading roles in Die Zauberflöte (Pamina) and La Calisto (Calisto) with Mannes Opera, and covered the role of Violetta La traviata with Korea National Opera. She has taken on many roles in world premiere operas, such as Nightingale in A Song of Nightingale, Little Madame Shoes in Red Shoes, and Nanako in Dong Ju Yun.  In concert, Ms. Cho has performed in prestigious venues worldwide including the San Francisco War Memorial Opera House, Carnegie Hall, the Beijing Grand Theater, the Seoul Arts Center Opera House, Harbin Grand Theater, Heidelberg Theater, Concert Hall in Linz at Bruckner University, Lotte Concert Hall in Seoul, Goyang Aram Nuri Theater, Bohemia National Hall, and the German Consulate in New York.    Ms. Cho has received numerous accolades for her performances, including first prize at the Beijing International Opera Competition, Korea National Opera Competition, Daejeon Opera Competition, and the German Lieder Association Competition (Korea). She was a grant recipient at the Gerda Lissner Competition and received the Gold Smith Foundation Award and Michael Sisca Opera Award.

Scott Hetz Clark, a baritone from Leesburg, Virginia, has captivated audiences with his versatile vocal talent and showmanship. A James Madison University School of Music alumnus, Scott’s operatic journey began at the Prague Summer Nights Young Artist Festival in 2019, where he debuted as Figaro in Mozart’s “Le Nozze di Figaro” at the historic Estates Theater. Since then, he has continued to perform on some of the top stages across the United States and Europe. Some of his notable performances include Don Giovanni, Sweeney Todd, Papageno, The Pirate King, and Méphistophélès. One of Scott’s most recent highlights was in 2023 when he made his Lincoln Center debut with Teatro Nuovo, where he performed the role of Don Asdrubale in the rarely performed Ricci Brothers’ comedic opera “Crispino e la comare”. He has collaborated with the Sarasota Opera, Opera Baltimore, The Seagle Festival, Bel Cantanti Opera, The Castleton Festival, and the Lyric Opera Studio Weimar. He’s twice competed in the Metropolitan Opera Laffont Competition, winning an Encouragement Award in the DMV District in 2023. Scott has a distinct affinity for Jazz music and performs frequently in the DMV, where he often headlines at major clubs and festivals. Beyond the stage, Scott has many unwonted interests including snowboarding, home-brewing, and fishing. Scott is thankful for his family, his mentors, and all who have supported him along his musical journey

Mezzo-soprano Jenna Clark is a versatile and compelling performer based in Denver, CO. Most recently she covered the role of Ramiro in Vivaldi’s Motezuma with Opera Neo, was a soloist in both The Voice of Juana Ines with the Baroque Chamber Orchestra of Colorado and in Bach’s BWV 151 Süsser Trost mein Jesus Kömmt with the Colorado Bach Ensemble, and sang the roles of Dorabella in Cosi fan tutte and Cherubino in Le nozze di Figaro along with the alto solos in Beethoven’s Mass in C and Mozart’s Requiem as a part of the Crested Butte Music Festival.

Ms. Clark has been seen as a Tyler Young Artist at Opera on the James and an Apprentice Artist at Central City Opera, covering the role of Signora Naccarelli in The Light in the Piazza. She earned her Artist Diploma in Opera & Solo Voice Performance from the University of Colorado-Boulder, and her dual concentration Masters degree in Vocal Performance and Choral Conducting from the University of Denver.

Hailed as having a voice that is “elastic and luxurious” (Ars Raving Mad), Bronx-native Mezzo-Soprano Linda Collazo has performed at Carnegie Hall, the United Palace Theater, the United Nations, Lincoln Center, and with the Metropolitan Opera Guild. Roles include Armelinde in Viardot’s Cendrillon with City Lyric Opera, Lola (cover) in Cavalleria Rusticana with New Camerata Opera, Vera in The Consul with Encompass New Opera Theater, Orlofsky (cover) in Die Fledermaus and Meg Page (cover) in Falstaff with Martina Arroyo’s Prelude to Performance, Solo Handmaiden in Turandot with Sarasota Opera, Dinah in Trouble in Tahiti, Cherubino and Dorabella (cover) in Le Nozze di Figaro and Così fan tutte, La Cesca and Zita in Gianni Schicchi, and Hansel in Hansel & Gretel. She won the Woodmere and Bronx Arts Ensemble Competitions and an encouragement award from the MONC auditions. She is a graduate of the Macaulay Honors College.

Praised for the “sweet and seductive” tones of her voice, mezzo-soprano Cara Collins is establishing herself through rich singing and dynamic acting. Collins most recently performed Mother and Witch in Hansel and Gretel at Palm Beach Opera, where she was a Benenson Young Artist last season. A lover of new opera, Collins performed the title role of Brittomara in Jake Heggie and Gene Scheer’s World Premiere of If I Were You at the Merola Opera Program. Other notable roles include Prince Orlofsky in Die Fledermaus at Amarillo Opera, Third Lady in The Magic Flute at Sarasota Opera, Dinah in Trouble in Tahiti at Opera on the James, and Berta in Il barbiere di Siviglia at Opera North. Collins’ training includes young artist residencies with Palm Beach Opera, Merola, Sarasota Opera, Opera on the James, Opera North and holds a BM from SUNY Purchase Conservatory of Music.

Praised for her engaging stage presence and ‘‘full…nuanced’’ voice (Boston Musical Intelligencer), mezzo-soprano Lauren Cook was most recently seen performing LeAnn in a workshop of Missy Mazzoli’s The Listeners with Opera Philadelphia. Notable stage credits include Poppea (L’incoronazione di Poppea), Mélisande (Impressions de Pelléas), Tisbe (La Cenerentola), Susanna (Le nozze di Figaro), Second Lady (The Magic Flute), Tina (Flight), and Eliza (Dark Sisters). Ms. Cook has performed as a soloist in Philadelphia’s Kimmel Center as well as Boston’s Symphony Hall and Museum of Fine Arts. In the 2019 season, Ms. Cook made her debuts with Opera Iowa and Des Moines Metro Opera. She has also appeared with Opera Louisiane, Guérilla Opera, Odyssey Opera, Boston Modern Orchestra Projects, American Opera Projects, Seagle Music Colony, La Musica Lirica, and the Louisiana Opera Outreach Program.

‘A master of his touching, yet bold baritone’ (Berkshire Fine Arts), Matthew Cossack holds graduate degrees and awards from both Mannes College and the Yale School of Music. A native of Brooklyn, New York, he was a finalist of the Opera Index Competition, a Regional Winner in the Metropolitan Opera National Council Auditions, and a winner in the Opera Foundation Scholarship Competition in 2019. He made his European debut at the Deutsche Oper Berlin in 2019 as a member of the Stipendiat Ensemble.
After the pandemic, he returned as Starveling in A Midsummer Night’s Dream in 2021, and as the baritone soloist in a world premiere of Once To Be Realised, which toured through Berlin, Munich and Athens in 2022. He was a recent 2022 Sullivan Award Winner with the prestigious Sullivan Foundation, and was a finalist in The Premiere Opera Vocal Competition as well as the Music International Grand Prix Competition. He was a Studio Artist at Florida Grand Opera, performing Notaro/Magistrate (Gianni Schicchi / Buoso’s Ghost), Sciarrone (Tosca) and Fiorello (Il Barbiere di Siviglia). Matthew made his Central City Opera debut this past summer singing General Howell (Kiss Me Kate), and Count
Capulet (Roméo et Juliette). He will return next summer to sing the role of Sonora (La fanciulla del West)
and cover Jack Rance.

Described as having “a gorgeously warm tone and deep resonance” (Opera News), Baritone Darren Drone is quickly making a name for himself in the opera world as an exciting up and comer. His 2020-21 season begins with his second year of residency with Michigan Opera Theatre. During his first year with the company, roles included covering Leporello in Don Giovanni, covering the title role of Sweeney Todd, performing both the title role of Gianni Schicchi as well as Buoso’s Ghost, covering Tonio in Pagliacci, and preparing the role of Young Man/Man in Bar in Champion (canceled due to COVID-19). In the spring of 2020, Mr. Drone was awarded as a semifinalist in the Lotte Lenya Competition, performed with the Detroit Youth Symphony Orchestra, and was scheduled to make his company debut with Opera Maine as William in The Fall of the House of Usher (canceled due to COVID-19). In 2021, Mr. Drone looks forward to making his company debut with Opera Naples as Riff in West Side Story and singing Baron Douphol while covering Germont in La traviata, as well as making a role debut as the title role in Le nozze di Figaro with Opera in the Heights. In the summer of 2021, Mr. Drone will join the Santa Fe Opera, covering the roles of the Count in Le nozze di Figaro, Starveling in A Midsummer Night’s Dream, and the Captain in Eugene Onegin.

Soprano Emilie Faiella most recently performed as Mabel (The Pirates of Penzance) with Opera Naples, Jeannette (The Blacksmith) with Opera Lafayette, and as Lucy (The Telephone), Geraldine (A Hand of Bridge), and Lola (Gallantry) in Portland Opera’s An American Quartet. Her past roles include the Vixen (The Cunning Little Vixen), the Girl (Afterlife), Selena (Dolores Claiborne) and Yniold (Pelléas et Mélisande) with Boston University’s Opera Institute, as well as Gretel (Hänsel und Gretel), Ginevra (Ariodante), Zerlina (Don Giovanni) and others. She is a District Winner of the 2020 MONC Auditions and finalist of the 2020 Classical Singer Competition, and received Second Prizes at the 2019 Rochester International Vocal Competition and 2017 James Toland Vocal Arts Competition. Emilie is affiliated with Houston Grand Opera’s YAVA, CoOPERAtive’s Fellowship program, and SongFest’s Young Artist program, and received her M.Mus. at Boston University. Her upcoming engagements include the role of Young Alyce in Opera Naple’s Glory Denied.

She was a Resident Artist with Portland Opera in 2020, where she debuted in three roles and performed a recital. She is a District Winner of the 2020 MONC Auditions, and that same year was a finalist of the 2020 Classical Singer Competition. She received Second Prizes at the 2019 Rochester International Vocal Competition and the 2017 James Toland Vocal Arts Competition. Emilie is affiliated with BUOI, Houston Grand Opera’s YAVA, CoOPERAtive’s Fellowship program, and SongFest’s Young Artist program.

Wesley Frye (he/him) has been praised for his “big… sensitive,” and “handsome” tenor voice, receiving several laudatory reviews in Minneapolis for performances as Male Chorus in Benjamin Britten’s The Rape of Lucretia and Haydn’s Paukenmesse. Wesley was the 2018 recipient of the Opera Omaha Award at the Metropolitan Opera District Auditions in Lincoln, Nebraska, and was a Wisconsin District Finalist in 2020. Prior to the Covid-19 pandemic, Wesley was slated to make a debut with the Duluth-Superior Symphony Orchestra as the tenor soloist in their performance of Carl Orff’s Carmina burana. Recent performance credits include: King Kaspar (Amahl and the Night Visitors, Skylark Opera), Goro (Madama Butterfly, Opera West), Faust (Faust, Opera Reading Project), and Gabriel von Eisenstein (Die Fledermaus, Opera on the Lake). Wesley holds a B.A. in Voice Performance from Luther College, as well as a M.M. in Voice Performance from the University of Minnesota, where he studied with John De Haan. 

With a voice praised as “rousing, full-throated,” and “ringing,” (San Diego Story), Southern California baritone Jeffrey Goldberg has performed such roles as Gugliemo from Mozart’s Così fan tutte, Dr. Falke and Eisenstein in Die Fledermaus, by Johann Strauss, Claudio in Berlioz’s Beatrice et Benedict, Bartolo and Antonio from Mozart’s Le nozze di Figaro, Peter in Humperdink’s Hansel and Gretel, Simone in Puccini’s Gianni Schicchi, and Howard in the Chicago premiere of Dog Days, by David T. Little, as well as several partial roles. He has also performed with Pacific Symphony in their Opera for Kids! productions of Gilbert and Sullivan’s The Pirates of Penzance, and Humperdink’s Hansel and Gretel. On the concert stage he has performed the solo in several beloved masterworks, including Handel’s Messiah, Mozart’s Requiem, and Beethoven’s Symphony No. 9. He is a graduate of Northwestern University, where he obtained a Master’s degree in Voice and Opera, and before that, Chapman University where he obtained a Bachelor’s in Vocal Performance.

Camron Gray is a native of Winchester, Tennessee. Mr. Gray studied at Tennessee Tech University, receiving two bachelor’s in Music Education and Spanish. Mr. Gray completed his M.M. in Vocal Performance at the School of Music, Theater & Dance (SMTD) studying under George Shirley and is currently completing the Specialist of Music degree at U of M studying voice with Stanford Olsen. Mr. Gray has performed as Tom Snout in Benjamin Britten’s A Midsummer Night’s Dream, a faded silent film star, Larry Renault, in William Bolcomb’s latest opera Dinner at Eight, as well as the authoritative, fully-revised version of George Gershwin’s Porgy and Bess, as Robbins and Crab Man in February 2018. During the summer of 2018 season, Mr. Gray sang with Cincinnati Opera as a chorister in La Traviata (Verdi), The Flying Dutchman (Wagner), and Another Brick in the Wall (Bilodeau). In 2019, he was featured in the Glimmerglass Festival as a Stevedore in Jerome Kern’s classic, Show Boat, and the world premiere of Blue by composer Jeanine Tesori and librettist Tazewell Thompson.

Steve Groth, baritone, is a classical vocalist, teacher and collaborative pianist currently based in Wisconsin. Steve is beginning 2026 with Cedar Rapids Opera performing Frank in Die Fledermaus. Some other recent performances include Marullo with Finger Lakes Opera’s production of Rigoletto, Antonio in Le nozze di Figaro with Sarasota Opera and covering Alfio/Tonio in Cavalleria Rusticana and Pagliacci, Dandini in Rossini’s La Cenerentola, the King in Montsalvages Puss in Boots and Escamillo in Bizet’s Carmen, with Boulder Opera. He made his European debut in 2019, singing the title role in Verdi’s Rigoletto in the Emilia-Romagna province of Italy and has been a frequent performer with the Italian Montefeltro Festival singing Count Almaviva in Mozart’s Le nozze di Figaro, Ford in Verdi’s Falstaff and Taddeo in Rossini’s L’Italiana in Algieri. He holds master’s degrees from the University of Missouri-Columbia in vocal performance and collaborative piano and Bachelor’s degrees in choral music education and French from the University of Wisconsin-Madison.

Bass-Baritone Cameron Jackson, of Albemarle North Carolina, is a recent graduate of the A.J. Fletcher Opera Institute at the University of North Carolina School of the Arts. During his tenure as a Fletcher fellow, Mr. Jackson portrayed the roles of Don Magnifico in Rossini’s La Cenerentola, Golaud in Peter Brooks’ adaptation of Debussy’s Pelléas et Mélisande, Der Musiklehrer in Strauss’ Ariadne auf Naxos, and Alvaro in Catan’s Florencia en el Amazonas. Mr. Jackson’s 2017/2018 season included debuts with Piedmont Opera (Haly, L’italiana in Algeri) and the Princeton Festival Opera (Don Fernando, Fidelio); as well as winning the North Carolina District Encouragement Award in the Metropolitan Opera National Council Auditions. Described as possessing a “rich and powerful voice” (CVNC), he has also performed with Opera Wilmington, the Wilmington Symphony Orchestra, and Magnolia Baroque.

Julia Maria Johnson is an American soprano and educator. This year, she joined
California Lutheran University’s voice faculty. In 2023, Ms. Johnson performed her
recital, CABARET CONFIDENTIAL, in collaboration with The Opera Buffs and Pacific
Opera Project in Los Angeles. Ms. Johnson returned to Pacific Opera Project singing in
the chorus of Trial By Jury in November after making her debut as Isabel in The Pirates
of Penzance earlier in the year. She also sang the role of Susanna in Le Nozze di
Figaro with Lyric Opera of Orange County. Other 2023 engagements include a
fellowship with the Vocal Immersion Program at The Castleton Festival and being a
featured artist with Classic Lyric Arts in Novafeltria, Italy. Hailing from Washington State,
she earned her M.M. in Voice Performance at UCLA Herb Alpert School of Music. She
is thrilled to be a Resident Artist with Opera Naples this season.

Pianist, recitalist, coach, prompter and assistant conductor, Yelena Kurdina has been a member of the Metropolitan Opera for over 30 years. She has collaborated with many great singers and conductors during her career. Among those are Renee Fleming, Dmitri Hvorostovsky, Placido Domingo, Seiji Ozawa, James Conlon, Valery Gergiev and many others. Ms. Kurdina’s recitals with the remarkable Dmitri Hvorostovsky, have been called “rich and haunting collaborations, beautifully judged and impeccably ardent”. Ms Kurdina has worked at several renowned festivals and opera houses in the US and around the world. Originally from St. Petersburg, Russia, Ms. Kurdina is a protégé of John Wustman – the “Dean of American accompanists” – with whom she studied at the University of Illinois. Like her illustrious mentor, an important part of Ms. Kurdina’s career has centered on working with young artists. She currently divides her time between New York City and Florida.

Soprano Yejin Lee is rapidly emerging as a compelling Lyric coloratura artist, acclaimed by Opera News for her “robust coloratura soprano” and hailed by Brooklyn Discovery for “quicksilver brilliance and outstanding theatrical bravura.” Her growing repertoire encompasses Gilda, Zdenka, Susanna, Pamina, Adele, Oscar, Naiad, Zerlina and Gretel, among others, spanning core lyric-coloratura roles.

A prizewinner of the Metropolitan Opera National Council Florida District, Lee has earned top awards from Opera Connecticut, NATS Eastern Region, and New York Lyric Opera Theatre, with appearances as finalist or honoree in multiple national competitions. She made her Carnegie Hall debut at Weill Recital Hall and has been featured at WQXR, Merkin Hall, Lakes Area Music Festival and Festival Napa Valley.

Professional training includes engagements with Opera Southwest, Martina Arroyo Foundation and Manetti Shrem Opera Program. Lee holds an Artist Diploma from Montclair State University and a Master of Music degree from the Manhattan School of Music.

Soprano Sara LeMesh, hailed by the San Francisco Chronicle for her “vocal majesty and
expressive translucency,” is a dramatic presence on the opera stage, an avid chamber
musician, and an advocate of contemporary music. During the summer of 2022, she was a
fellow at the Marlboro Music Festival; she will return to the festival in the summer of 2023.
Most recently, she covered and performed the role of Young Leah/Lisa in the New York
Premiere of Lori Laitman’s Uncovered with City Lyric Opera. Other operatic roles include
Lucy Brown in Weill’s The Threepenny Opera (City Lyric Opera), Zerlina in Mozart’s Don
Giovanni (Pocket Opera); Bess in Mazzoli’s Breaking The Waves (West Edge Opera);
and Norina in Donizetti’s Don Pasquale (Mendocino Music Festival). LeMesh earned a
Bachelor of Music from Rice University and a Master of Music from the Bard
College-Conservatory of Music.

Praised for their “rich sound” and “remarkable agility” (Brooklyn Daily Eagle), mezzo-soprano Cornelia Lotito enjoyed a vibrant 2023/24 season including Stephano (Romeo et Juliette) with Opera Idaho, The Announcer (Gallantry) and Sorceress (Dido and Aeneas), and the alto solos in Haydn’s The Creation and Handel’s Messiah. Previously, Cornelia was a resident artist with Opera Idaho, Pittsburgh Festival Opera, Indianapolis Opera, and Knoxville Opera. They have sung lead and supporting roles with the New Jersey Symphony Orchestra, Marble City Opera, Light Opera of New Jersey, Druid City Opera, Black Sheep Contemporary Ensemble, Opera Theatre of Montclair, and several others. A frequent vocal competitor, Cornelia is a two-time Metropolitan Opera Laffont Competition regional nalist, winning the Idaho-Montana District in 2023, and the Indiana District in 2022. Previously, they won an Encouragement Award from the 2021 Tennessee District of the Metropolitan Opera National Council Auditions, as well as an encouragement award from the Gerda Lissner Foundation and several others.

Aaron McKone, deemed a “rising star” and praised for his “ardent tenor,” is originally from Rock Hill, SC. In November, Aaron made his debut with the Cincinnati Symphony Orchestra, in collaboration with Paris’ Opéra-Comique, portraying Laërte in Thomas’ Hamlet. Aaron was recently a Wolf Trap Opera Studio Artist, where he covered the titular role in Gounod’s Faust and was a featured soloist in a collaborative concert with the National Orchestral Institute and Festival. Aaron has also performed with the Spoleto Festival in Charleston, SC, where he performed in the world premiere of Rhiannon Giddens and Michael Abels’ Pulitzer Prize-winning new opera, Omar.

Aaron earned his Bachelor of Music degree from Winthrop University and his Master of Music degree from the University of Cincinnati – College: Conservatory of Music (CCM), where he studies with Tom Baresel and renowned helden-tenor Stuart Skelton. Aaron will complete his Artist Diploma at CCM this May.

Steven is an Arizona native who currently resides in Idaho Falls Idaho. He
has performed as a young artist with Opera Theatre of Saint Louis, Palm
Beach Opera, Opera Saratoga and Idaho Falls Opera. He is grateful to
Opera Naples for the opportunity to be a part of their season this year, and
is extremely excited to be back in Florida with the beautiful weather,
people, and wildlife in the area. He looks forward to continuing his craft and
building his career in the years to come.

Tenor Nathan Schafer has been revered by critics for his “strong clear tenor voice” (Ladue News) Upcoming engagements include covering the roles of Macduff in Macbeth at Teatro Nuovo in New York City and Pinkerton in Madama Butterfly at Austin Opera. Mr. Schafer will perform the tenor solo in Beethoven’s 9th Symphony with Southwest Florida Symphony and will be a resident artist at Opera Naples this winter. He recently made his New York debut as Rinuccio in Gianni Schicchi at Finger Lakes Opera. Mr. Schafer performed Rodolfo in La bohème, Alfredo in La traviata and Ferrando in Così fan tutte at Shreveport Opera. He made his professional debut at Winter Opera of St. Louis as Ruggero in La rondine. Mr. Schafer has performed with prominent opera houses such as The Dallas Opera, Central City Opera, Tulsa Opera, and Fort Worth Opera.

Baritone Skyler Schlenker has most recently studied under Carol Vaness at the Aspen Music Festival and School and Indiana University. He began studying voice in his mid-twenties after playing football in college and studying drama and psychology. Before formally studying voice, he became a young artist at the Brevard Music Center’s Janiec Opera Company, and soon after began playing and covering supporting and leading roles at the Aspen Music Festival and School as an opera fellow. He has performed challenging roles, including the role of Yeshua in Mark Adamo’s The Gospel of Mary Magdalene, Sweeney Todd in Sweeney Todd, and Marcello and Ford in the Jacobs School of Music’s productions of La bohème and Falstaff. He joins Opera Naples to sing the roles of Older Thompson in Glory Denied, and the Pirate King in The Pirates of Penance, among others.

Washingtonian mezzo-soprano Grace Skinner is the recent recipient of 1st place prize in
the Seattle Opera Guild Singers’ Development Competition. She recently made her role debut
performing The Composer with Vashon Opera and has worked with The Atlanta Opera
covering the role of Giulio Cesare, and Utah Festival Opera covering the role of Carmen.
Ms. Skinner was a vocal fellow at prestigious young artist programs Music Academy of the
West, and Aspen Music Festival. Her other performed roles include Jo in Little Women,
Cherubino in Le Nozze di Figaro, the title role in Giulio Cesare, Florence Pike in Albert
Herring, La Principessa in Suor Angelica, Prince Orlofsky in Die Fledermaus, and premiered
the role of Samantha in The Place Where You Started.
Ms. Skinner earned her MM from the Jacobs School of Music at IU where she was also an
Associate Instructor of Voice. She received her BM in voice at Portland State University.

Praised for her “rich mezzo timbre and apt agility” (South Florida Classical Review), Mezzo-Soprano Kim Stanish recently performed as the Mezzo-Soprano Soloist in the ‘Fountain of Youth’ Concert Collaboration with Central City Opera and Denver Young Artists Orchestra and the title role in Rossini’s La Cenerentola with Mediterranean Opera Studio. Past roles include the title role in Carmen at Miami Classical Music Festival and Frida Kahlo/Alicia in Frida Kahlo and the Bravest Girl in the World (Central City Opera, Touring Company). She was featured in several roles in Boulder Opera Company’s L’Enfant et les Sortilèges, as Nancy in Albert Herring (Miami Classical Music Festival), and as Dritte Dame in Die Zauberflöte (University of Denver).
Miss Stanish holds a Master of Music in Vocal Performance from the University of Denver, a Bachelor of Music in Vocal Performance and a Bachelor of Arts in Environmental Policy, both from Western Washington University.

Mer Wohlgemuth, Soprano, is from Winter Haven, FL, and just completed her Master of Music in Vocal Arts at The Juilliard School where she continues to study with Marlena Malas. Last fall, Mer sang Despina in Juilliard’s new production of Così fan tutte. Last season, Mrs. Wohlgemuth sang the role of Tytania in Britten’s A Midsummer Night’s Dream at The Chautauqua Institution, Belinda in Purcell’s Dido and Aeneas with Juilliard 415, and Tirsi in Handel’s Clori Tirsi e Fileno in Alice Tully Hall. Other past productions include Nerone in Monteverdi’s L’incoronazione di Poppea and various productions of Die Zauberflöte in both America and Germany. She won the Encouragement Award at both the 2019 and 2020 Metropolitan Opera National Council Auditions(New York Region). Mer is a recipient of the Novick Career Advancement Grant.