The Beaux Arts Chamber Music Series

Opera Naples produces an annual chamber music series with Artistic Directors Tao Lin and Catherine Lan. The series features world-renowned musicians as well as exceptionally talented newcomers. January 22, 2019 The Maxwell Quartet, hailed as one of the Britain’s finest string quartets, makes its US debut. March 6, 2019 The Aspen String Trio returns to Naples. April 11, 2019 Roberto Díaz, the preeminent violist in the world today and President/CEO of Philadelphia’s famed Curtis Institute of Music.

 

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The Beaux Arts Chamber Music Series

David and Cecile Wang Opera Center
2408 Linwood Ave
Naples FL, 34112

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The Maxwell Quartet

Tuesday, January 22, 2019 – 7:30 pm

Aspen String Trio

Wednesday, March 6, 2019 – 7:30 pm

Roberto Díaz

Thursday, April 11, 2019 – 7:30 pm

Tickets

Standard: $20.00

Classic: $34.00

Premium: $48.00

VIP: $59.00

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Founders/Artistic Directors

Tao Lin

Described by critics as possessing “Keen musical intelligence and excellent facility” (Miami Herald) as well as “opulent and romantic tone” (Fanfare), Steinway Artist Tao Lin performs in Asia, North America, and Europe with orchestras such as Moscow Chamber, Winnipeg Symphony, Miami Chamber, Atlantic Classical, and Knoxville Civic at venues including Carnegie Hall, Kennedy Center, National Gallery of Art, 92nd Street Y, Rockefeller University, Chautauqua Institute, Clarice Smith Performing Arts Center, Minnesota Orchestra Hall, Izumi Hall, and Edvard Grieg Museum in Norway. Mr. Lin has concertized as a member of the Berlin Piano Quartet and the Brahms Piano Quartet, and appeared in concerts with Aspen Trio, Miami, Bergonzi, Alcon, Rosalyra, Shanghai, Ying, and St. Petersburg String Quartets, as well as with distinguished musicians including Elmar Oliveira, Carol Wincenc, Roberto Diaz, William De Rosa, Charles Castleman, Eugenia Zukerman, and Claudio Bohorquez at festivals including Mainly Mozart, Music Mountain Chamber Music, Arts Rolla, Highlands-Cashiers Chamber Music, Music Festival of the Hamptons, and Festival Miami.

Currently serves on faculty of Bowdoin International Music Festival in Maine and Shanghai Normal University, Mr. Lin is a co-founder/artistic director of Beaux Arts Chamber Music Series in Naples. Mr. Lin records for Centaur, Artek, Naxos, and Romeo labels. www.taolinpianist.com

Catherine Lan

After making her international debut in Japan at the age of eight, Dr. Catherine Lan has since per-formed in Taiwan, Singapore, Thailand, Canada, Mexico, France, United Kingdom, Slovenia, and the USA in prestigious venues such as Carnegie Hall, Victoria Hall, and National Concert Hall.

Dr. Lan has appeared as a soloist with orchestras including Northeastern Pennsylvania Philharmonic, Sinfonia of the North Shore, British-Columbia Chamber, Fifth Avenue Chamber, Taoyuan New Philharmonic, Braddell Heights Symphony, Frost Symphony, Vancouver Symphony, Broward Symphony, New Taoyuan Philharmoic, Palm Beach Atlantic Symphony, and Edmonton Symphony. She has also concertized with Aspen Trio, Naples Philharmonic, Atlantic Classical Orchestra, Piano Galore Ensemble, Boca Raton Philharmonic Symphonia Chamber Players, Southwest Florida Symphony, and Palm Beach Symphony. Her performances have been featured on World Journal of New York, WLRN-Public Television, “Beethoven Universal TV” series, Becon TV “Live with Iris Ackers”, Fu-Hsin Broadcasting Station, and CBC Radio’s “Westcoast Performance” Debut series. She appears as Duo Beaux Arts, performing in France, Switzerland, and throughout the USA with Steinway Artist, Tao Lin.

Having earned degrees from University of British-Columbia, Indiana University (Bloomington), and University of Miami, Dr. Lan serves on the faculty of Broward College and Palm Beach Atlantic University. She is also the co-founder/artistic director of Chrysalis Chamber Players and Beaux Arts Chamber Music Series in Naples. Dr. Lan records for Centaur Records. www.catherinelan.com

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The Maxwell Quartet

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1st Prizewinner and Audience Prizewinner at the 9th Trondheim International Chamber Music Competition in 2017, and hailed as “brilliantly fresh, unexpected and exhilarating” by The Scottish Herald, and "superb storytelling by four great communicators" by The Strad Magazine, the Maxwell Quartet is now firmly regarded as one of Britain's finest string quartets, with a strong connection to their folk music heritage and a commitment to bringing together wide-ranging projects and programmes to expand the string quartet repertoire.

The quartet performs regularly across the UK and abroad, at venues including London’s Wigmore Hall, Purcell Room, and St Martin-in-the-Fields, with performances through the Park Lane Young Artist Programme, the Tunnell Trust Awards Scheme, and the Kirckman Concert Society programme.

After their success at Trondheim in 2017, the quartet's 2017-18 season sees concert engagements across Europe, including performances in the Tivoli Concert Hall Series, the Amsterdam String Quartet Biennale, Stavanger Festival, Trondheim Chamber Music Festival, Schiermonnikoog and Wonderfeel Festivals in the Netherlands, Lammermuir Festival and Music at Paxton in Scotland, and more. Collaborations include working with the Danish String Quartet to perform Octets as well as collaborating on Scottish and Danish folk music, and working on a new commission for clarinet quintet with renowned composer/clarinettist Mark Simpson. The Quartet's debut CD, featuring string quartets by Haydn alongside their own compositions based on Scottish traditional folk music, is due for release in early 2019 on Linn Records.

The Quartet is formed of four close friends, who grew up playing folk and classical music together in youth orchestras and music schools across Scotland. The group officially began in 2010 at the Royal Conservatoire of Scotland, where its founding members met as postgraduate students. In 2011, the Maxwell Quartet was selected as the Royal Conservatoire's Young Artists in Residence. The quartet was also named as Residency Artists for Enterprise Music Scotland 2011-2013, which saw several acclaimed concert tours over their two-year tenure. Performing widely across Scotland, the quartet has established a reputation for delighting audiences with their "unnaffected enthusiasm" (North Highland Times) and their "panache and conviction" (Strathearn Herald). The quartet has held residencies at Oxford University, Perth Concert Hall and many chamber music festivals across the UK, including their own festival Loch Shiel in the west highlands of Scotland.

Passionate about collaborating with musicians and other artforms, the quartet has worked with a global roster of artists and institutions including Cryptic Theatre, Wintour’s Leap, Royal Ballet School, Lunir, cinematographer Herman Kolgen and many more. The quartet has also worked with some of the UK's most dynamic composers including commissions by Anna Meredith, Tom Harrold, Mark Simpson and Colin Broom. In addition to a busy concert diary, the quartet regularly feature in broadcasts for BBC Radio 3 and BBC Radio Scotland, as well as regularly giving schools workshops and concerts for children.

The Maxwell Quartet has studied with the Endellion Quartet through a Chamber Studio mentorship programme at King's Place, and privately with Hatto Beyerle, founding member of the Alban Berg Quartet and director of ECMA, in Hanover, Germany. Other mentors include Miguel da Silva (Quatuor Ysaye), Erich Hobarth (Quatuor Mosaiques), Krysztof Chorzelski (Belcea Quartet), Donald Grant (Elias) and Alasdair Tait.

The quartet plays on very fine instruments generously loaned to them from the Harrison Frank Foundation.

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The Aspen String Trio

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The Aspen String Trio is one of the rare professional string trios performing and touring today. Summer faculty colleagues at the Aspen Festival and School, AST members have been playing together for more than twenty years: violinist David Perry, violist Victoria Chiang, and cellist Mike Mermagen.

Celebrated for virtuoso performance offered with humor and insight, AST performs the complete trios of Beethoven, Mozart, and Schubert, as well as lesser known blockbuster works by Dohnanyi, Hindemith, Martinů, Rozsa, Gideon Klein, Veress, Villa-Lobos and Ysaÿe, among others.

Their many “themed” concert programs, all generously filled with commentary, include a Goldberg Variations lecture recital (SleeplessinLeipzig), Czech,Please! (music of Klein, Martinů, and Dvorak), A Fugue Good Men (fugues of Mozart and Reger), a program of dances, Baroque to modern, and a “Degenerate” concert of music by composers tragically suppressed by the Nazi regime—music of profound beauty and hope from Krása, Gál, Klein, and Weinberg.

Recent engagements include the Los Angeles Music Guild and the National Gallery of Art, as well as residencies in Texas, Georgia, the Carolinas, Alabama, Delaware, Washington and Colorado. For six seasons AST was Ensemble-in-Residence at the University of Baltimore. During the 2017-2018 season the trio’s tours include concert engagements and teaching residencies throughout Iowa, Georgia, South Carolina, and New York, often collaborating with host colleagues on piano quintets and quartets, and string sextets.

As teaching faculty at distinguished universities and conservatories, Trio members are committed to incorporating educational components into all residencies. In addition to standard masterclasses, they offer a unique variety of classes and workshops covering topics such as The Business of Music, Poetry, Creative Writing, and Management, all developed to address aspects of students’ professional lives, and to tie in Classical Music with other areas of their study.

The trio continues to develop its touring programs by increasing repertoire options and exploring the inclusion of narrator and video presentation: the Degenerate Music program of lesser-known composers will soon offer Weinberg’s fantastic, recently discovered String Trio, Op. 48, and spoken word and visual components have been very successfully integrated into this and the Goldberg Variations program. New programs are always being developed as AST adds new repertoire. “Updating Traditions” will trace lineage and linkages in a program anchored by Mozart’s monumental Divertimento in E-flat, K. 563 and John Harbison’s recent string trio (2014) inspired by it.

The Aspen String Trio has just released its first recording: music of Mozart, Beethoven and Strauss. Frequently heard on Baltimore’s classical station WBJC, they are regularly featured on “Face the Music” and “Music in Maryland.” The Trio is currently recording the complete string trios and other music of Martinů for the Naxos label.

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Roberto Díaz

A violist of international reputation, Roberto Díaz is president and CEO of the Curtis Institute of Music, following in the footsteps of renowned soloist/directors such as Josef Hofmann, Efrem Zimbalist, and Rudolf Serkin. As a teacher of viola at Curtis and former principal viola of the Philadelphia Orchestra, Mr. Díaz has already had a significant impact on American musical life and continues to do so in his dual roles as performer and educator.

As a soloist, Mr. Díaz collaborates with leading conductors of our time on stages throughout North and South America, Europe, and Asia. He has also worked directly with important 20th- and 21st-century composers, including Krzysztof Penderecki, whose viola concerto he has performed many times with the composer on the podium and whose double concerto he premiered in the United States; and Edison Denisov who invited Mr. Díaz to Moscow to work on his viola concerto. Ricardo Lorenz, Roberto Sierra, and Jennifer Higdon have all written concerti for Mr. Díaz.

As a frequent recitalist, Mr. Díaz enjoys collaborating with young pianists, bringing a fresh approach to the repertoire and providing invaluable opportunities to artists at the beginnings of their careers. In addition to performing with major string quartets and pianists in chamber music series and festivals worldwide, Mr. Díaz has toured Europe, Asia, and the Americas a member of the Díaz Trio with violinist Andrés Cárdenes and cellist Andrés Díaz. The Díaz Trio has recorded for the Artek and Dorian labels.

Mr. Díaz's recordings on the Naxos label with pianist Robert Koenig include the complete works for viola and piano by Henri Vieuxtemps and a Grammy-nominated disc of viola transcriptions by William Primrose. Also on Naxos are Brahms sonatas with Jeremy Denk and Jonathan Leshnoff's Double Concerto with violinist Charles Wetherbee and the Iris Chamber Orchestra led by Michael Stern. On the New World Records label is a live recording of Mr. Díaz's performance of Jacob Druckman's Viola Concerto with Wolfgang Sawallisch and the Philadelphia Orchestra. On the Nimbus label is a recording of the Walton Viola Concerto with the New Haven Symphony and William Boughton. On the Bridge Records label

are works

for viola and orchestra by Peter Lieberson with the Odense Symphony Orchestra and Scott Yoo.

Since founding Curtis on Tour eight seasons ago, Mr. Díaz has taken the hugely successful program to North and South America, Europe and Asia, performing chamber music side-by-side with Curtis students and other faculty and alumni of the school. His tenure as president of Curtis has also seen the construction of a significant new building which doubled the size of the school's campus; the introduction of a classical guitar department and new conducting and string quartet programs; the launch of Curtis Summerfest, summer courses open to the public; and the debut of an online stage called Curtis Performs. In the fall of

2013

Curtis became the first classical music conservatory to offer free online classes through Coursera.

Also under Mr. Díaz’s leadership, Curtis has developed lasting collaborations with other music and arts institutions in Philadelphia and throughout the world and established a dynamic social entrepreneurship curriculum, supported by a prestigious Advancement Grant from The Pew Center for Arts and Heritage. Designed to develop the entrepreneurial and advocacy skills of young musicians, this curriculum includes the project-based Community Artist Program (CAP) and post-graduate Curtis ArtistYear Fellowship Program. Curtis was the first higher-education arts institution to join ArtistYear and respond to the challenge issued by the Aspen Institute’s Franklin Project: to foster a 21st-century national service system, with a goal of one million service-year positions created by 2023.

Mr. Díaz received an honorary doctorate from Bowdoin College and was awarded an honorary membership by the National Board of the American Viola Society. In 2013 Mr. Díaz became a member of the prestigious American Philosophical Society founded by Benjamin Franklin. As a member of the Philadelphia Orchestra, he was selected by Music Director Christoph Eschenbach to receive the C. Hartman Kuhn Award, given annually to "the member of the Philadelphia Orchestra who has shown ability and enterprise of such character as to enhance the standards and the reputation of the Philadelphia Orchestra." Mr. Díaz received a bachelor's degree from the New England Conservatory of Music where he studied with Burton Fine, and a diploma from the Curtis Institute of Music where his teacher was his predecessor at the Philadelphia Orchestra, Joseph de Pasquale. Mr. Díaz also has a degree in industrial design.

In addition to his decade-long tenure as principal viola of the Philadelphia Orchestra, where he performed the entire standard viola concerto repertoire and gave a number of Philadelphia Orchestra premieres, Mr. Díaz was principal viola of the National Symphony under Mstislav Rostropovich, a member of the Boston Symphony under Seiji Ozawa, and a member of the Minnesota Orchestra under Sir Neville Marriner. Mr. Díaz plays the ex-Primrose Amati viola.