The Beaux Arts Chamber Music Series
The creation of two enormously talented childhood prodigies, Tao Lin and Catherine Lan, who have since played on numerous stages in the US and abroad with some of the greatest chamber soloists of our time. Their formidable talents will be showcased in each concert with the internationally renowned Violinist Frank Huang, Ying String Quartet, and a performance with Avery Fischer Award winning violinist Chee-yun Kim and Naumburg Award winning cellist David Requiro.
The Beaux Arts Chamber Music Series
David and Cecile Wang Opera Center
2408 Linwood Ave
Naples FL, 34112
Violinist Frank Huang
January 16, 2018 – 7:30 pm
Ying String Quartet
March 22, 2018 – 7:30 pm
An Evening of Romantic Russian Trios
April 11, 2018 – 7:30 pm
Currently serves on faculty of Bowdoin International Music Festival in Maine and Shanghai Normal University, Mr. Lin is a co-founder/artistic director of Beaux Arts Chamber Music Series in Naples. Mr. Lin records for Centaur, Artek, Naxos, and Romeo labels. www.taolinpianist.com
Dr. Lan has appeared as a soloist with orchestras including Northeastern Pennsylvania Philharmonic, Sinfonia of the North Shore, British-Columbia Chamber, Fifth Avenue Chamber, Taoyuan New Philharmonic, Braddell Heights Symphony, Frost Symphony, Vancouver Symphony, Broward Symphony, New Taoyuan Philharmoic, Palm Beach Atlantic Symphony, and Edmonton Symphony. She has also concertized with Aspen Trio, Naples Philharmonic, Atlantic Classical Orchestra, Piano Galore Ensemble, Boca Raton Philharmonic Symphonia Chamber Players, Southwest Florida Symphony, and Palm Beach Symphony. Her performances have been featured on World Journal of New York, WLRN-Public Television, “Beethoven Universal TV” series, Becon TV “Live with Iris Ackers”, Fu-Hsin Broadcasting Station, and CBC Radio’s “Westcoast Performance” Debut series. She appears as Duo Beaux Arts, performing in France, Switzerland, and throughout the USA with Steinway Artist, Tao Lin.
Having earned degrees from University of British-Columbia, Indiana University (Bloomington), and University of Miami, Dr. Lan serves on the faculty of Broward College and Palm Beach Atlantic University. She is also the co-founder/artistic director of Chrysalis Chamber Players and Beaux Arts Chamber Music Series in Naples. Dr. Lan records for Centaur Records. www.catherinelan.com
Violinist Frank Huang
Mr. Huang has had great success in competitions since the age of 15 and received top prize awards in the Premio Paganini International Violin Competition and the Indianapolis International Violin Competition. Other honors include Gold Medal Awards in the Kingsville International Competition, Irving M. Klein International Competition, and D’Angelo International Competition.
In addition to his solo career, Mr. Huang is deeply committed to chamber music. He is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and has performed at the Marlboro Music Festival, Ravinia’s Steans Institute, Seattle Chamber Music Festival, and Caramoor. He frequently participates in Musicians from Marlboro’s tours, and was selected by The Chamber Music Society of Lincoln Center to be a member of the prestigious CMS Two program. Before joining the Houston Symphony as concertmaster in 2010, Frank Huang held the position of first violinist of the Grammy Award–winning Ying Quartet and was a faculty member at the Eastman School of Music.
Frank Huang was born in Beijing, China. At the age of seven he moved to Houston, Texas, where he began violin lessons with his mother. He commenced study with Fredell Lack at the University of Houston and at 16 he enrolled in the pre-college program at the Cleveland Institute of Music (CIM) where he studied with Donald Weilerstein. He continued studies with Weilerstein in college and earned his bachelor of music degree from CIM in 2002. He subsequently attended The Juilliard School in New York City, studying violin with Robert Mann. He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy, and serves on the faculties of The Shepherd School of Music at Rice University, also a New York Philharmonic Global Academy partner, and the University of Houston.
The Ying String Quartet
“The Ying Quartet came as close to the ideal as possible, delivering chamber music of astonishing, refreshing exaltation and exhilaration.”
— The Los Angeles Times
The Ying Quartet occupies a position of unique prominence in the classical music world, combining brilliantly communicative performances with a fearlessly imaginative view of chamber music in today’s world. Now in its third decade, the Quartet has established itself as an ensemble of the highest musical qualifications. Their performances regularly take place in many of the world’s most important concert halls; at the same time, the Quartet’s belief that concert music can also be a meaningful part of everyday life has also drawn the foursome to perform in settings as diverse as the workplace, schools, juvenile prisons, and the White House. In fact, the Ying Quartet’s constant quest to explore the creative possibilities of the string quartet has led it to an unusually diverse array of musical projects and interests.
The Ying’s ongoing LifeMusic commissioning project, created in response to their commitment to expanding the rich string quartet repertoire, has already achieved an impressive history. Supported by the Institute for American Music, the Ying Quartet commissions both established and emerging composers to create music that reflects contemporary American life. Recent works include Billy Childs’ Awakening; Lera Auerbach’s Sylvia’s Diary; Lowell Liebermann’s String Quartet No. 3, To the Victims of War; Sebastian Currier’s Next Atlantis; and John Novacek’s Three Rags for String Quartet. In August 2016 the Ying Quartet released a new Schumann/ Beethoven recording on Sono Luminus with the cellist Zuill Bailey, and in 2016-17 the five toured with the Schumann Cello Concerto transcribed for cello and string quartet along with Beethoven’s “Kreutzer Sonata,” also reimagined for cello quintet. The 2017-18 season will see the Quartet continuing its work in the relatively new field of medicine, music, and healing with the staff at Houston Methodist, while simultaneously maintaining its busy touring schedule.
The Ying Quartet’s many other recordings reflect many of the group’s wide-ranging musical interests and have generated consistent, enthusiastic acclaim. The group’s CD “American Anthem” (Sono Luminus), heralding the music of Randall Thompson, Samuel Barber, and Howard Hanson, was released in 2013 to rave reviews; their 2007 Telarc release of the three Tchaikovsky Quartets and the Souvenir de Florence (with James Dunham and Paul Katz) was nominated for a Grammy Award in the Best Chamber Music Performance category.
The Ying Quartet first came to professional prominence in the early 1990s during their years as resident quartet of Jesup, Iowa, a farm town of 2000 people. Playing before audiences of six to six hundred in homes, schools, churches, and banks, the Quartet had its first opportunities to enable music and creative endeavor to become an integral part of community life. The Quartet considers its time in Jesup the foundation of its present musical life and goals.
As quartet-in-residence at the prestigious Eastman School of Music in Rochester, NY, the Ying Quartet teaches in the string department and leads a rigorous, sequentially designed chamber music program. One cornerstone of chamber music activity at Eastman is the noted “Music for All” program, in which all students have the opportunity to perform in community settings beyond the concert hall. The Quartet is the ensemble-in-residence at the Bowdoin International Music Festival and at Arizona State University, and from 2001-2008, the members of the Ying Quartet were the Blodgett Artists-in-Residence at Harvard University.
June 2017 – Please do not edit without permission.
An Evening of Romantic Russian Trios
Winner of the 1989 Young Concert Artists International Auditions and the 1990 Avery Fisher Career Grant, Chee-Yun performs regularly with the world’s foremost orchestras, including the Philadelphia Orchestra, the London Philharmonic, and the Toronto, Houston, Seattle, Pittsburgh and National symphony orchestras. Additionally, she has appeared with the Atlanta Symphony, and the St. Paul Chamber Orchestra, and has performed with such distinguished conductors as Hans Graf, James DePriest, Jesus Lopez-Cobos, Michael Tilson Thomas, Krzysztof Penderecki, Neeme Järvi, Pinchas Zukerman, Manfred Honeck and Giancarlo Guerrero. Internationally, Chee-Yun has toured with the Haifa Symphony, the Hong Kong Philharmonic, Germany’s Braunschweig Orchestra and the MDR Radio Leipzig and performed with the St. Petersburg Camerata, the Bamberg Philharmonic, the Bilbao Symphony, the London Festival Orchestra, the Nagoya Philharmonic, and the KBS Symphony Orchestra. Her orchestral highlights include a concert with the Seoul Philharmonic conducted by Myung-Whun Chung that was broadcast on national network television, a benefit for UNESCO with the Orchestra of St. Lukes at Avery Fisher Hall, and her tours of the United States with the San Francisco Symphony (Michael Tilson Thomas conducting), and Japan with the NHK Symphony. Recent and upcoming engagements include return subscription weeks in Pittsburgh and Jacksonville, as well as the Colorado and Austin symphony orchestras and the National Philharmonic.As a recitalist, Chee-Yun has performed in many major US cities including New York, Chicago, Washington, Los Angeles, San Francisco and Atlanta. Career highlights include appearances at the Kennedy Center’s “Salute to Slava” gala honoring Mstislav Rostropovich, the Mostly Mozart Festival’s tour to Japan, a performance with Michael Tilson Thomas in the inaugural season of Carnegie Hall’s Zankel Hall, and the US premiere of the Penderecki Sonata No. 2 with pianist Barry Douglas. Other recent highlights include recitals in St. Paul, Buffalo, Washington, DC, Omaha and Scottsdale, duo recitals with cellist Alisa Weilerstein and a performance at the American Ballet Theatre’s fall gala. Firmly committed to chamber music, Chee-Yun has toured with “Music from Marlboro” and appears frequently with Spoleto USA, a project she has been associated with since its inception. Additional chamber music appearances include the Ravinia, Aspen, Bravo! Vail Valley, La Jolla, Caramoor, Green Music, Santa Fe and Bridgewater festivals in the US, the Great Mountains Music Festival in South Korea, the Clandeboye Festival with Camerata Ireland in Northern Ireland, the Opera Theatre and Music Festival in Lucca, Italy, the Colmar Festival in France, the Beethoven and Penderecki festivals in Poland and the Kirishima Festival in Japan.
Chee-Yun has received exceptional acclaim as a recording artist since the release of her debut album of virtuoso encore pieces in 1993. Her recent recording of the Penderecki Violin Concerto No. 2 on Naxos was acclaimed as “an engrossing, masterly performance” (The Strad Magazine) and “a performance of staggering virtuosity and musicality” (American Record Guide). Her releases on the Denon label include Mendelssohn’s E Minor Violin Concerto, Vieuxtemps’ Violin Concerto No. 5, Lalo’s Symphonie Espagnole, and Saint-Saëns’ Violin Concerto No. 3, with the London Philharmonic under the direction of Maestro Lopez-Cobos, a disc of three French violin sonatas (Debussy, Saint-Saëns and Fauré), and the violin sonatas of Szymanowski and Franck. Her most recent Denon disc features the violin sonatas of Brahms and Strauss. Two compilation discs, Vocalise d’amour, and The Very Best of Chee-Yun, feature highlights of Chee-Yun’s earlier recordings. In 2007, Chee-Yun recorded the Beethoven Triple Concerto with Camerata Ireland, pianist Barry Douglas and cellist Andrés Diaz, for Satirino Records. In 2008, Decca/Korea released “Serenata Notturno,” an album of light classics that went platinum within six months of its release.
Chee-Yun has been heard frequently on National Public Radio’s Performance Today and on WQXR and WNYC radio in New York City. She has also been featured on KTV, a children’s program on the cable network CNBC, Garrison Keillor’s “A Prairie Home Companion”, on Public Radio International and numerous syndicated and local radio programs across the United States and abroad. She has appeared on PBS as a special guest on Victor Borge’s Then and Now 3, in a live broadcast at Spivey Hall in Atlanta concurrent with the Olympic Games, and on ESPN performing the theme for the X Games. In Fall 2009, she also appeared in an episode of HBO’s hit series, “Curb Your Enthusiasm.”
Chee-Yun’s first public performance at age 8 took place in her native Seoul after she won the Grand Prize of the Korean Times Competition. At 13, she came to the United States and was invited to perform the Vieuxtemps Concerto No. 5 in a Young People’s Concert with the New York Philharmonic. Two years later, she appeared as soloist with the New York String Orchestra under Alexander Schneider at Carnegie Hall and the Kennedy Center. In 1989, she won the Young Concert Artist’s international competition, and a year later became the recipient of the prestigious Avery Fisher Career Grant. In Korea, Chee-Yun studied with Nam Yun Kim. In the United States, she has worked with Dorothy DeLay, Hyo Kang, Daniel Phillips and Felix Galimir (chamber music) at The Juilliard School.
In addition to her active performance and recording schedule, Chee-Yun is a dedicated and enthusiastic educator. She gives master classes around the world and has held several teaching posts at notable music schools and universities. Her past faculty positions have included serving as the resident Starling Soloist and Adjunct Professor of Violin at the University of Cincinnati College-Conservatory of Music, and Visiting Professor of Music (Violin) at Indiana University School of Music. In August 2007, she was appointed Artist-in-Residence and Professor of Violin at Southern Methodist University in Dallas.
Chee-Yun plays the Stradivarius “Ex-Strauss” (Cremona, 1708), which is on loan through the generous efforts of the Samsung Foundation of Culture of Korea and the Stradivari Society of Chicago, Illinois.
Mr. Requiro has made concerto appearances with the National Symphony Orchestra, Seattle Symphony, Tokyo Philharmonic, and several orchestras from California including the Marin, Oakland East Bay, Peninsula, Santa Cruz, Santa Rosa, and Stockton Symphonies. He also has been featured as soloist with the Ann Arbor, Breckenridge, Canton, Edmonton, Lansing, Olympia, Pine Bluff, and Santa Fe Symphony Orchestras as well as with the Northwest Sinfonietta, Symphony ProMusica, and Naples Philharmonic. His Carnegie Hall debut recital at Weill Hall was followed by a critically acclaimed San Francisco Performances recital at the Herbst Theatre. Soon after making his Kennedy Center debut, Mr. Requiro also completed the cycle of Beethoven’s Sonatas for Piano and Cello at the Phillips Collection in Washington, D.C. Actively involved in contemporary music, Mr. Requiro appeared as a guest artist at the 2010 Amsterdam Cello Biennale where he gave the Dutch premiere of Pierre Jalbert’s Sonata for Cello and Piano. He has collaborated with composers such as Krzysztof Penderecki and Bright Sheng, as well as with members of the Aspen Percussion Ensemble, giving the Aspen Music Festival premiere of Tan Dun’s concerto, Elegy: Snow in June, for cello and percussion. An avid chamber musician, Mr. Requiro is a founding member of the Baumer String Quartet and has performed with the Chamber Music Society of Lincoln Center, Seattle Chamber Music Society, Concertante Chamber Players, ECCO (East Coast Chamber Orchestra), and the Alexander String Quartet. For over seven seasons, he has served as a frequent performing artist of the Jupiter Symphony Chamber Players Series in New York City. The Chamber Music Society of Lincoln Center recently appointed Mr. Requiro to its prestigious CMS Two residency beginning in 2018.
In 2015, Mr. Requiro was appointed Assistant Professor at the University of Colorado Boulder. He previously served as Artist-in-Residence at the University of Puget Sound as well as Guest Lecturer at the University of Michigan. His artist faculty appointments include the Bowdoin International Music Festival, Seattle Chamber Music Society Summer Festival, Giverny Chamber Music Festival, Innsbrook Music Festival and Institute, Maui Classical Music Festival, and Olympic Music Festival. As a member of the Baumer String Quartet, he co-founded the annual Monterey Chamber Music Workshop.
A native of Oakland, California, Mr. Requiro began cello studies at age six and his teachers have included Milly Rosner, Bonnie Hampton, Mark Churchill, Michel Strauss, and Richard Aaron.